Cine Lenses - Movies

Cinematographer Juan A. Fernández AEC explains the benefits of the Fujinon Cabrio XK 20-120 with the Blackmagic URSA Mini Pro 12K, and the reasons why it is one of his favorite go-to lenses for many different applications

Fujifilm/FUJINON presents Rhinestone Blue, the first film shot on PREMISTA large format lenses.
Shot by Tobias A. Schliessler, ASC on Sony Venice.

Cinematographer Tobias Schliessler, ASC, Director Aisha Schliessler and crew take you behind the scenes of making #RhinestoneBlue, the first film shot...

Premista series is a product of craftmanship. Workers in our factory are honored that the world will soon be enjoying movies shot by Premista.

Behind the scenes with Philip Bloom creating the footage using a MK series T2.9 lens.

Filmed with the Blackmagic Pocket Cinema Camera 4K and Fujinon MK 18-50mm T2.9 and the 50-135mm T2.9.

In this short video, Alister Chapman describes how he used the Fujinon MK lenses with the SLR Magic Anamorphot 65 anamorphic 1.33x adaptor, the...

This short documentary was shot using the Fujinon E Mount MK lenses with the SLR Magic Anamorphot 65 1.33x anamorphic adaptor.

This video explains all the benefits of MK lenses with Blackmagic Pocket Cinema Camera 4K.

Here, DOP Bárbara Lopes discusses shooting the entire film on a Sony FS5 with FUJINON MK Lenses.

Behind the scene footage of Indonesian photographer ADITPK shot with Fujinon MK18-55mm T2.9 and PXW-FS7

Introduction movie for features of MK series, MK18-55mm and new MK50-135mm

Cinematographer Yoshihiro Enatsu from Marimo Records tested the Fujinon MK cine lens series

The footage shot by Philip Bloom in London with a MK50-135mm T2.9 lens and FS7

Behind the scenes with Philip Bloom creating the footage using a MK50-135mm T2.9 lens

Footage by cinematographer Taishi Hirokawa with with Fujinon MK18-55mm T2.9 and PXW-FS7

Introduction movie of FUJINON MK lens

Edo Arts shot with MK18-55mm T2.9

Behind the scene of FUJINON MK Lens - Image movie

The footage shot by Philip Bloom in Gran Canaria using a MK18-55mm T2.9 lens and FS7, FS5 and A7S II

Behind the scenes with Philip Bloom creating the footage using a MK18-55mm T2.9 lens

Innovative large format cine lenses, Premista is born. They provide the cinematographer an artistic and emotional imagery.

DP Phil Holland demonstrates the optical quality of the Duclos 1.7x Expander used with FUJINON Premier and Cabrio lenses.

British Cinematographer Steve Lawes and First Assistant Camera Ben Margitich discuss the performance of FUJINON’s Premier and Cabrio cinema zoom...

British Cinematographer Steve Lawes (Sherlock, Silent Witness) shot a short film on the streets of Amsterdam, plus test footage to demonstrate the...

Showreel shot by FUJINON Cine lens, HK and ZK series

Promotional Video of ZK Series

Short movie shot with ZK series

Short movie shot with ZK lens